HsienYu Cheng | 鄭 先喻

Reviews & News

Review & News / all entries
  • ├── 2024
    • ├── 許家維、張碩尹、鄭先喻攜手山口媒體藝術中心共同創作「浪濤之下亦有皇都」 以當代影像追溯台日歷史與記憶 ->
    • └── It Could Be You, digital identities close to you ->
  • ├── 2023
    • └── 在機器與程式裡,看見人的小毛病──專訪鄭先喻 ->
  • ├── 2022
    • └── VOP Issue 31:技術邏輯 Technologic ->
  • ├── 2021
    • ├── 鄭先喻個展「injector after Null」:It's the song, not the singer ->
    • ├── 《證件照拍攝指南》中的身份與主體生成問題 ->
    • └── Transitions, Articulated and Experienced ->
  • ├── 2020
    • ├── 鄭先喻《來生 Afterlife Ver. 1.0》到《台北機電人 2.0:訊息瘟疫》——殺死越多,來生越多 ->
    • ├── 不再超現實的夢境:鄭先喻《Hijacker:{,}》中的現實製造問題 ->
    • ├── To Think and Imagine in the Digital Basho: Review on Cheng Hsien-Yu’s ASSIMILATOR 在數位場所裡觸發思想:評鄭先喻的《同化者》 ->
    • ├── When is your last time you put the phone down? {Assimilator},solo exhibition by Hsien-Yu CHENG. ->
    • ├── 第二屆銅鐘藝術賞發表 鄭先喻{同化者}看見科技與人性的競合 ->
    • └── 「零延滯」時代下的科技焦慮――關於鄭先喻的「同化者」 ->
  • ├── 2018
    • ├── Something/Nothing To Write About: Cheng HsienYu’s Solo Exhibition ->
    • └── The Question of Institutional Split: Review on Cheng Hsien-yu’s “Sandbox” ->
  • ├── 2017
    • └── 藝術,不存之地 忠泰美術館當代藝術展 ->
  • └── undated
    • └── 生命中不能寫實之輕:鄭先喻《Afterlife Ver.2.0-生命的來來去去》中的抽象意識 ->

About

  • ├── CV
  • └── Contact

Solo Exhibitions

  • ├── 2023
    • ├── [.user ]
      • ├── Info.
      • └── Works
        • ├── Around 7 Meters is More Fun
        • └── A slightly different browser
    • ├── % Consumption of Computing
      • ├── Info.
      • └── Works
    • └── Eyes, Ears, Nose, Tongues...those parts
      • ├── Info.
      • └── Works
  • ├── 2021
    • └── Revenge Scenes
      • ├── Info.
      • └── Works
  • ├── 2020
    • └── Injector After Null
      • ├── Info.
      • └── Works
        • ├── invariable variation
        • ├── de centralize
        • ├── Sandbox
        • └── discharge what you charged: room edition
  • ├── 2019
    • └── Assimilator
      • ├── Info.
      • └── Works
        • ├── Hijacker:{,}
        • ├── Discharge what you charged
        • └── Others
  • ├── 2017
    • └── Injector before Null
      • ├── Info.
      • └── Works
  • ├── 2016
    • ├── Second Life: Habitat
      • ├── Info.
      • └── Works
    • └── 1ed6318fc5481dda3ded...
      • ├── Info.
      • └── Works
  • └── 2014
    • └── Collector
      • ├── Info.
      • └── Works

Works

  • ├── 2025
    • └── Traced
  • ├── 2024
    • ├── There Will Be Works
    • ├── Credit Makes You Free
    • └── todayisnotwhatyoulike
  • ├── 2023
    • ├── Around 7 Meters is More Fun
    • ├── A slightly different browser
    • ├── % consumption of computing
    • └── There is Another Capital Beneath the Waves
  • ├── 2022
    • ├── Happens to Be Performing
    • ├── It Could Be You
    • ├── Annoyanony
    • ├── Minimal Input @ C-lab
    • └── don't know... what do you think?
  • ├── 2021
    • ├── Photo of ID
    • ├── Revenge Scenes
    • ├── Game of Life
    • └── Crystal Seeding
  • ├── 2020
    • ├── discharge what you charged: room edition
    • ├── invariable variation
    • ├── de centralize
    • ├── We are just saying what you are ruling
    • └── T.R.M. 2.0: Infodemic
  • ├── 2019
    • ├── Hijacker:{,}
    • ├── Discharge what you charged
    • └── Others
  • ├── 2016
    • ├── Sandbox
    • ├── Second Life: Habitat
    • └── Untitled: The result
  • ├── 2015
    • ├── Hobo
    • ├── Artist's daily job
    • ├── We all love F & D
    • ├── isISis
    • └── The terminal disagrees
  • ├── 2014
    • ├── Rc_bOAT
    • ├── Dish on Fish
    • ├── portrait 2014
    • └── MissionFailed
  • ├── 2013
    • ├── portrait 2013
    • └── Afterlife ver. 2.0
  • ├── 2011
    • ├── Afterlife
    • └── portrait 2011
  • └── 2009
    • └── heartcoke

About HsienYu Cheng (鄭先喻)

HsienYu Cheng (鄭先喻) was born in 1984 in Kaohsiung, Taiwan. He is an artist and software developer who makes artworks, software and experimental bio-electronic devices. His work looks at human behaviour, emotion, software and the relationship between people and machines, and uses humour to offer a distinctive view of society and the environment. He received the First Prize of the Taipei Digital Art Award in 2014, the First Prize for New Media Art at the Kaohsiung Art Award in 2017, the Tung Chung Prize in 2019 and the Visual Arts Award of the 19th Taishin Arts Award in 2021. In 2023 he received an S+T+ARTS Nomination / Honorary Mention at Ars Electronica. His solo and group exhibitions have been shown mainly in Taiwan, elsewhere in Asia and in Europe. Recent appearances include Ars Electronica 2023 in Linz, Sónar 2025 in Barcelona, and exhibitions in the Netherlands, Slovenia, Norway, Italy, Germany, France, Austria and Korea.

鄭先喻,1984 年生於台灣高雄,藝術家兼軟體開發人員。創作藝術作品、軟體及結合電子設備的實驗性生物電子裝置,透過聚焦人類行為、情感、軟體以及人機關係的作品,以幽默的方式傳達他對社會與環境的獨特見解。曾獲 2014 年台北數位藝術獎首獎、2017 年高雄獎新媒體藝術首獎、2019 年銅鐘藝術賞、2021 年第十九屆台新藝術獎視覺藝術獎,並於 2023 年獲得奧地利電子藝術節 S+T+ARTS 提名/榮譽獎。個展與聯展主要在台灣、亞洲及歐洲展出,近期參與 2023 年奧地利電子藝術節、2025 年巴塞隆納 Sónar 音樂節,以及荷蘭、斯洛維尼亞、挪威、義大利、德國、法國、奧地利、韓國等地的展覽。

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